Review: Vincent and Theo

Title: Vincent and Theo: The Van Gogh Brothers
Author: Deborah Heiligman
Publisher: Henry Holt
Year Published: 2017
Source: Library
Rating: 5/5 stars

I thought I knew a decent amount about Vincent Van Gogh. Turns out I only knew the most basic facts.

This beautifully written biography of Vincent and his brother Theo is based on the many letters they wrote to each other and to friends and family. Heiligman writes short chapters in compelling prose that makes you want to keep moving through the story; in fact, I read this book - over 450 pages! - in 3 days.

At first it seems odd that this biography also includes Theo Van Gogh, but once the brothers become adults, it is clear that Theo is as important a player in this story as Vincent. There would have been no Vincent without Theo, in fact (and don't get me started on the epilogue with Theo's wife!). Their lives were so intertwined that full understanding of Vincent MUST include knowledge of Theo as well.

I had a few small quibbles with the book. The first was that there weren't enough images, especially of the sketches. I understand that color plates of the paintings make a book more expensive, and I was happy with the number of plates, but more black and white images of sketches throughout would have been helpful. (I was often reading in the lunchroom at work which somehow has the worst wifi reception despite being right next to the router and I couldn't look anything up.) The second problem was that mental health issues were brought up often but covered very minimally. Since Heiligman used the brothers' letters as her main inspiration, and since mental health was barely understood at the time, it's understandable that there wasn't much in the book about it. However, a chapter outside the narrative with a basic explanation of bipolar disorder would have added a lot though.

Appeal Factors: narrative non-fiction, fast-paced, lyrical
Awards and Nominations: 2018 YALSA Nonfiction for Young Adults Award nominee, 2017 Boston Globe-Horn Book Award for Nonfiction winner
Read-alikes: Charles and Emma (also by Heiligman)

Review: Maggot Moon

Title: Maggot Moon
Author: Sally Gardner
Publisher: Candlewick Press
Year Published: 2013
Source: Library book
Rating: 4/5 stars

I wasn't sure what to expect from Maggot Moon by Sally Gardner. I picked it up because it is a Printz Honor book this year, and I'm making my way through the YALSA Hub Challenge. I was intrigued by the cover and the description, but really had no idea what I was getting into.

Standish, the main character, is an odd duck, and he describes his dystopian world in a way that is strange yet heartbreaking. The reader spends much of the book thinking about Soviet Russia, but is that really the world this is taking place in? The Motherland is about to land on the moon for the first time, but Standish and his Gramps are among the few who know what's really going on.

While I found the story compelling and Standish to be a great narrator, what won me over about Maggot Moon was the simplistic sentences that still managed to knock me over. Case in point: "Gramps was the only person that still pulled at the gravity in me." That one sentence speaks volumes about their relationship, and I found myself rereading that one line over and over. It was the tiny gems like that that made me really appreciate this book.

24-Hour Read-a-thon - The Selection

So my major problem with the 24-hour read-a-thon is that sometimes you read a book that is SO GOOD, you don't want to muck it up by jumping right into another book. There's a quote from The Thirteenth Tale (which I don't even remember reading, but I must have, long ago, to have copied this quote down) that sums it up completely:

"All morning I struggled with the sensation of stray wisps of one world seeping through the cracks of another. Do you know the feeling when you start reading a new book before the membrane of the last one has had time to close behind you? You leave the previous book with ideas and themes -- characters even -- caught in the fibers of your clothes, and when you open the new book, they are still with you."

Having just completed The Selection by Kiera Cass, I am struggling with just those feelings. I don't have the second book in my hands right now, and even if I did, I fear that THAT much immersion in the world would leave me unsatisfied. But as of right now, I'm itching for more, and I can't possibly think what book I could settle on next.

I think all that needs to be said to sell this book is that it is a less violent Hunger Games mashed up with The Bachelor. I love the characters, especially narrator America (despite her name), and I'm having an even easier time making a decision on which boy she should pick than I did in Hunger Games (and I am firmly on Team Peeta). However, I also love that even America doesn't think it just is about which boy to choose. 

At least The Selection has gotten me worked up enough that I'm not really tired.

24-Hour Read-a-thon: In The Hands of the Goddess by Tamora Pierce

I started the Song of the Lioness series a week or so ago as part of the YALSA Hub Challenge to read as many of the award nominated young adult books from this year as possible. Tamora Pierce was awarded the Edwards Award for the Song of the Lioness series, as well as the Protector of the Small series. I have seen these books a million times, but they never struck me as something I might want to read.

And while I enjoyed the first book, simply called Alanna, I really loved this one. Alanna, masquerading as Alan so she can train to become a knight, spent much of the first book just struggling to be accepted as a boy. She often got picked on or teased for being the smallest or weakest of the bunch of pages. In this book, however, she has clearly earned her place amongst the squires (the step up from pages), and she finally began to understand what it means to be a woman AND a man.

I kind of want to jump right into the next book in the series, but I might vary it up so I don't get bored.

Review: Personal Effects (Audio)

When I received a copy of Personal Effects by E.M. Kokie from Candlewick Press, I wasn't terribly excited to read about it. My usual tastes don't trend towards current day, real-life fiction, especially involving American soldiers. And so, the book sat on my shelf for months.

But when it showed up again on YALSA's 2013 Amazing Audiobooks for Young Adults, I was curious. I have an easier time with books I'm not terribly interested in if I listen to them instead (as long as the reader is good), so I thought it would be worth a try.

Overall, I was pleasantly surprised by this book! Matt, the narrator, is a troubled and troubling young man, and I spent much of the book just wanting to give him a hug. He's still reeling from the death of his brother, a soldier in Afghanistan, 7 months earlier, and when he comes across some letters in his brother's personal effects, he starts to wonder if he didn't know his brother as well as he thought.

The story itself meanders a bit, and there were a few too many "startling" revelations for me near the end. But the main plot line was compelling enough to keep me entertained (and even to sit in my car to finish a scene more than once).

The real winner here, though, is the reader of the audiobook. Finding readers who don't just read the story but add to it is hard; I've had some audiobooks that I've turned off immediately because the narrator was just ruining them. But Nick Podehl brings such life to Matt, along with the rest of the cast of characters, that the story felt that much more real and immediate to me. I doubt I would have enjoyed it as much if I had just read the story. 

This is definitely one to check out on audio.

Review: Code Name Verity

Have you ever been SO SURE about how you feel about a book for, like, the first half of it, only to be proved completely wrong by the second half? Code Name Verity by Elizabeth Wein grew on me like no book has for a long time.

The story starts as the written journal/confession of a British (Scottish, NOT English, thank you very much!) spy (code name Verity), captured in France during World War II. She was captured near a plane that held many radios, so her captives expect information from her about wireless codes and the like. What the end up getting is a rambling story, not about Verity herself, but about her best friend, Maddie.

I spent a good portion of the book begin confused about why she was talking so much about Maddie. Verity was found with Maddie's papers instead of her (forged) own, but I couldn't quite tell why she was spending so much time on her. And without giving anything away, it's hard to tell you how important the stories about Maddie end up being.

All I can safely say is that I ended up reading the last 100 pages at 2 in the morning, culminating in a sobfest like I haven't experienced from a book in a long time, after which I had to play dumb games on my phone for an hour to calm down. The next day, I read the first few chapters again and loved them. This was one hell of a book to start 2013 with, and it's going to be hard to find others to measure up.

Final verdict: Read this. Read this now.

Review: Let It Snow

I depend on Christmas movies and Christmas music to get me into the mood this time of the year, but I very rarely look to books to do the same. Why not? Especially for someone as bookish as I am. I mean, there are a few I mentioned below, but they're mostly kids book.

So when I started pulling together a YA holiday display for my library, I was amazed that I couldn't find all that many. Of what I could find, there were very few I actually wanted to read. Luckily, Let It Snow was the one that I jumped at, and I'm so glad I did. It's really helped get me in the mood this year.

Frankly, the names on the cover were enough to get me to pick it up. I am a HUGE John Green fan, and I really enjoy the Maureen Johnson stuff I've read. (I'm not such a fan of Lauren Myracle, but I understand why a lot of kids love her.)

I thought this was going to be three separate short stories, but it turned out to be three inter-related short stories. Even better! They all start on Christmas Eve in a small town after a train has to stop for the night due to snow. The main character from one story becomes a supporting character in the next, and the same small-town odd folks show up in all of them. The stories, heavy on teen angst and romance, tie together beautifully. Think of it as an American teen Love Actually that all takes place in one night. If that doesn't get you to pick it up, then we can't be friends.

Review: Bomb

I don't read a lot of non-fiction, and I read even less Young Adult non-fiction, but when I saw review after review giving high praise to Steve Sheinkin's Bomb, I thought I should at least give it a try.

And now I'm wondering why more history books aren't written exactly like this one. It's like reading a thriller spy novel, except I knew that it was all real! Sheinkin did massive amounts of research (as you would need to for a book like this), but most importantly, he included TONS of direct quotes from the people involved. It gave the whole story a much more immediate feel, which is definitely part of its success. In fact, while this makes a perfect YA history book, I'm sure there are many adults who would love this book too.

My only issue with the book was that I had problems following all the different people involved. This is a story, after all, that takes place over years and years and over the span of the ENTIRE globe. There is a substantial cast of characters. And while there were some photos of the people throughout the book, I would have loved an appendix listing everyone with a short description of their roles or even a photograph of them. A map or two wouldn't have hurt either, but then, I'm a very visual learner.

For history buffs, Bomb is definitely a must-read.

Days of Blood and Starlight - Not a Review

I spent the entire morning curled up in bed, reading Days of Blood and Starlight, the follow-up to one of my favorite books of last year, Daughter of Smoke and Bone by Laini Taylor. Did I love this new one as much as the first? Not quite, but I very much doubt that I could have. The first book is so beautiful and unexpected, not to mention heartbreaking. I'm sure I would have loved this new one even more if I had reread the first - it's been over a year between the two for me, and I felt Days started a bit too quickly for me. But the fact that I didn't get ANYTHING else accomplished before work today should tell you how good it is.

And really, you don't need a review of this book. If you've read Daughter of Smoke and Bone, you know there's no way you can stop there. If you haven't read Daughter of Smoke and Bone, what are you waiting for? I envy you for not having to wait for the sequel (although you'll have to wait with me for book 3).

Review: A Long Long Sleep

I've always been a big fan of retellings of myths and fairy tales. These stories have survived for generations because they're just plain good, but a little modernization doesn't hurt either. Cinder, a favorite of mine from this year, is a retelling of Cinderella.

A Long Long Sleep by Anna Sheehan is the latest retelling I've enjoyed (it was published in 2011), although it really just uses the story of Sleeping Beauty as a jumping off place instead of a story outline. Rosalinda has spent over 60 years in a cryogenic-like stass tube, accidentally shoved into a corner of her apartment building's basement. When she's awakened (also by accident), she must come to terms with the fact that everyone she loved is gone, as well as a world that is so vastly different than her own.

Sheehan's writing is beautiful, and she captures Rose's struggles in a very real way. There is pain and joy, wonder and horror, dark and light throughout the book. The beginning is perhaps a little slow, but that's because Rose, who is narrating, is just waking up from years of sleep - she needs a little time to get her emotions running again. I found myself flying through the second half of the book, with Rose's struggles affecting me almost physically. Yes, there were definitely some tears.

Since A Long Long Sleep is Sheehan's first novel, I'm eagerly awaiting whatever else she comes out with, fairy tale retelling or no. I can only hope it's as good as her first.

Book Vs. Movie: The Perks of Being a Wallflower

Let's face it: most of the time, the movie sucks in comparison to the book. There are exceptions (Shawshank Redemption being the most often cited), but for book nerds like me, that's generally the rule. Imagine my surprise when I found a movie that was at just about the same level (not better or worse) than its book.

The Perks of Being a Wallflower came out when I was in high school, and it was immediately on my radar as something I wanted to read. Somehow, however, I never actually got around to reading it. This year, with the movie coming out, plus the fact that it's now such a staple of Young Adult literature, I finally made the plunge into reading it.

And I didn't love it. But I think that had more to do with me than the book itself. I'm more than a decade away from where I was when it was first released, and I'm decades more jaded than even that. I could appreciate the book for what it would mean to a teen, but I couldn't quite connect with it like I would have once. As a coming-of-age book, though, it's solid.

I saw the movie for Perks this past week with a friend, and I was surprised to find that I enjoyed it for completely different reasons than the book. Maybe because I was seeing it rather than reading it, I felt more attached to the emotions of the teens, and I thought the actors chosen were superb in their parts. I was also surprised to find that, while I enjoyed the movie as a whole more, I enjoyed the ending of the book far more. Maybe it was because I knew that little twist was coming, or maybe because Chbosky (who not only wrote the novel but also wrote and directed the film) meted out more hints to the twist throughout the film, or maybe because the reveal in the book lent itself to the style of the book (letters to an anonymous "you").

On the whole, I think I liked the movie a little better, but I found the book and the movie to be quite comparable. Can we have more authors adapt and direct their own books, please? I'll be curious to see what else Chbosky directs in the future.

Do you have any book/movie combos that you love equally?

Review: The Scrapbook of Frankie Pratt

Like most kids' book nerds that I know, I was waiting (im)patiently to hear all the award winners from this year's ALA Midwinter meeting. This is when the Newbery and Caldecott winners are announced, as well as a whole slew of other awards. My favorite of the bunch is the Alex Award, given to novels written for adults but which would appeal to kids ages 12 to 18. Many people call these "crossover novels" because of their appeal to YA and adults.

When I was in the YA age group, I just called these "novels." But I digress...

Two of my absolute favorite books from last year were on the list: Ready Player One and The Night Circus. I'm sure I won't get around to reading the rest, but I was intrigued by The Scrapbook of Frankie Pratt, so I borrowed it from work.

The Scrapbook of Frankie Pratt is exactly what it claims to be: a scrapbook. The book is filled with color reproductions of photographs and ephemera as if it were the real-life scrapbook of a young woman in the 1920s. Frankie is from a small town in New Hampshire and doubts that she'll ever leave, until the smallest of scandals sends her to Vassar College, then on to New York City and Paris. The book takes no time to read, and the story is a bit predictable, but the form is unique enough that it will seem fresh and new to a lot of readers. I'm not entirely sure how many teens will actually enjoy this book, although more and more kids seem to be interested in the 1920s (I think, in part, because of the buzz around the Great Gatsby movie coming soon).

For those who enjoy The Scrapbook of Frankie Pratt, I would suggest any of Nick Bantock's books (I've only read the Griffin & Sabine trilogy), which combine art and story in ways that are exciting and intriguing.

Buy The Scrapbook of Frankie Pratt on Amazon
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Review: Cinder

How many YA books have done the retelling of a fairy tale thing before? And how many times has it actually worked? Happily (but maybe not happily ever after), Cinder is a rare exception to the cut-and-paste story retelling formula.

In this book, Meyer takes the well-worn story of Cinderella and places it in a future filled with robots and cyborgs, a very nasty plague, and a cold and menacing queen from the Moon. My first response on hearing the premise was that this was absurd and would surely be a flop. Man, was I wrong! All of these elements add enough of a new twist so that I wasn't concerned about waiting for the moment when this or that might happen.

Cinder, our half-human, half-robot protagonist, is more than you would expect from a story like this (where the original material often gets muted to bare, meaningless bones). She's not just a servant girl to an ungrateful woman - she's smart and strong and can keep her wits about her, even when she's meeting the prince, and yet she's vulnerable and uncertain about what is happening to her. The truth about exactly who Cinder is becomes glaringly obvious well before she figures it out instead, but instead of this annoying me, it left me cheering Cinder on, wanting her to move on until she could figure it out herself.

While Cinder is clearly being marketed as Book One of the Lunar Chronicles (giving a little away there, no?), it would be obvious even without that information that this is just the first step in a series of novels. The story follows the Cinderella tale very closely, but it makes enough jumps and breaks to be its own thing. But the way the story ends leaves me unclear of where it's going to go next (and I'm actually happy about this). I've chatted with a few people, and the obvious thought is that Meyer will tackle a different fairy tale the next time through, but however she presents the story, I'll be there to read it.

Buy Cinder on Amazon
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Review: The Ruby in the Smoke

My very first book of 2012 was not one I chose for myself. Instead, I started off the year with the January title for the Forever Young Adult book club. I'm a member of the Thursday night Boston group, which is filled with awesome ladies who love YA as much as I do. I'm always sad when I have to miss a meeting.

The Ruby in the Smoke, the first of the Sally Lockhart mysteries, by Philip Pullman is not a book I would ever have picked up if not for the book club. I have walked by it millions of times in the store, and even recommended it a few times to girls who wanted mysteries and historical fiction combined. I don't think I was wrong to walk by it. Not that it's a bad book - in fact, as far as Victorian mysteries aimed towards the teen set go, I think it's quite good. It's just not my cup of tea (insert bad Victorian London joke here).

Sally Lockhart, who was recently orphaned when her father sank along with his merchant ship off China, is a strong character whom I actually liked. She's determined to figure out what's happening, even when it takes her to the seedier side of London or has her experimenting with drugs. She's able to turn a photography business around with practically a single idea. She doesn't let the fact that she's an orphan with no home of her own get her down.

And yet, it takes another character (completely out of the blue, I might add) to solve the mystery of where this ruby is hiding. Really, Pullman, after all these pages of Sally being kick-ass and smart, you leave the actual mystery solving to a boy?!

Like I said, I just don't like mysteries (in the typical sense of the word). I especially don't like Victorian mysteries (although I don't mind other books that take place in Victorian times). My other book club read The Moonstone (the first British mystery novel) last year, and this reminded me of it very much - plodding and slow, and then everything happens at once. I hated every minute of The Moonstone.

And yes, I did watch the BBC movie version of this book as well. I couldn't help it - it stars Billie Piper and Matt Smith. It was cute, but it dumbed down some of the more interesting aspects of the story. I'd rather read the book than watch the movie again.


Buy The Ruby in the Smoke on Amazon
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Review: Revolution

I have to admit, when I first heard about this book last year when it came out, I thought it sounded kind of stupid. I don't think I heard more than a one-sentence description before deciding that I didn't need to read this one. It had something to do with "two girls, living two centuries apart..." and I was out.

What a difference a year makes, huh? I was scanning through titles on my library's digital audiobook catalog and stumbled upon Revolution again, but this time, I took the time to read the full description. I couldn't wait to stick it on my iPod. What struck me so differently this time? I have no idea, but I'm so glad that it worked out, because I absolutely loved this book.

The story follows Andi, a privileged girl who lives in Brooklyn, attending private school with the cast of Gossip Girl and only awkwardly getting along with any of them. She'd rather be playing her guitar, which she plays very, very well. In fact, music is her escape - from dealing with the sudden death of her brother, from her mother who has mentally slipped away from the world, from her father who has left them behind. So when her father drags her, kicking and screaming, to Paris (where he's going for work), it's no surprise that she'll do anything she can to get back home, even if that means working on her thesis (about a French musician) like her father wants. While she's pouting around the apartment they're staying in, she finds the journal of Alexandrine, a girl caught between the royals and the revolutionaries during the French Revolution - and that's when the story really starts to pull together.

Andi's voice is what really hooked me on the story. Since I was listening to the audiobook, it was like the story was being performed for me (one reader does Andi's part, including accents for the various characters, and another read's Alex's diary entries). But even now, flipping through the actual book to write this, Andi's voice jumps off the page. She feels like a real girl who has had to deal with things that no one should have to deal with (teen or not), and her being rich and privileged hasn't helped her one bit. She is in turns desperate, exhausted, exhilarated, suicidal, full of life, pouty, and a million other things (like most teens, in fact).

The story was mostly compelling. Like I said, Andi's voice kept things fresh and interesting for me. The segments that were Alex's diary entries lagged a little bit in comparison. (The might also have lagged because I find diary entries in general to be a bit of a cliche, but to be fair, they were used perfectly in this case.) Had I been reading the book instead of listening to it, though, I would have been able to skim through those bits and gone happily on my way.

I was very happy to find Donnelly's playlist on her website after finishing the book. Music plays so heavily into the story, and Andi name-checks all kinds of musicians and songs, so it was great to see them all listed (although the list seems awfully short, but I guess a lot of the songs were repeated over and over again in the book).

4/5 stars

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Review: Daughter of Smoke and Bone

I picked up Daughter of Smoke & Bone for the November Forever Young Adult book club meeting, not having heard much about it. It had only been out for about a month at that time. With its typically-cheesy YA cover and a description that speaks of "winged strangers" and devils, I wasn't too excited to start reading.

It only took about a paragraph for me to get hooked. Between Laini Taylor's beautifully elegant prose and a kick-ass, smart lead character in Karou, I couldn't put the book down. In fact, I read the first 100 or so pages during lunch breaks and such before settling down and reading the rest of the 400-something page book in one go (and even then, I didn't want it to end). I still don't want it to be over, and I can hardly wait until the sequel comes out, because it ends on such a cliffhanger that it upset me.

The story is, much like the cover described, about angels and demons, but not in a cliched way. In fact, the terms angels and demons are used almost more like a placeholder, a way for us to understand the basic ideas behind these creatures without starting from scratch. But even the angels can be seen as bad, and the demons can be perceived as good, so everything is not as black and white as "angels and demons."

I can't say too much without giving plot away, and every time I've tried, I've made the book sound horrible, so I'll just say that it was one of my top picks of the year thus far. If cliffhangers upset you as much as they do me, you may want to hold off. Otherwise, give Daughter of Smoke & Bone a read. I've already picked up a few copies to give to friends this Christmas.

5/5 stars

Buy Daughter of Smoke & Bone on Amazon
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Review: Steampunk!

I'm a big fan of steampunk. I'm not sure when I came across it, or how, but I love the visual aesthetic of it. However I found it, I'm sure I found images well before I found stories. And from the visuals, it's a bit hard to understand the full breadth of the genre.

Steampunk stories cover a wide array of topics and themes. Some are more historical, and some take place in a future that seems strange. Some are born out of Victorian London, and others call the wild west home (while still others take place on space ships or foreign worlds). There is so much that can be considered steampunk that an anthology of steampunk stories can sometimes feel disjointed. *Cough* Steampunk *Cough*

Steampunk!, edited by Kelly Link and Gavin Grant, unfortunately suffers from this, but at least it gets off to one hell of a start. The first half or so of the book is filled with very strong stories that each take a stab at their own version of steampunk. Cory Doctorow's "Clockwork Fagin," about a bunch of kids in an orphanage, was by far my favorite of the group. I also really loved Cassandra Clare's "Some Fortunate Future Day," Delia Sherman's "The Ghost of Cwmlech Manor," and Libba Bray's "The Last Ride of the Glory Girls" (which I'm pretty sure was influenced by my beloved Firefly).

Some of the stories seemed not-so-steampunk, but I still enjoyed them. Kelly Link's "The Summer People" was my favorite of this bunch, owing very little to the steampunk genre apart from some mechanical toys that "the summer people" create.

This anthology has been published as a YA book (because it's from children's publisher Candlewick), but it's pretty perfect for anyone who likes steampunk. The only thing that would mark it YA is that many of the main characters are teens, but that shouldn't hamper an adult from reading along.

3/5 stars

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Review: Every You, Every Me

My coworker handed me a copy of Every You, Every Me by David Levithan last week, and just flipping through it pulled me in. I put aside the book I was reading and jumped right in. The book is unusual and captivating from the very first page.

Something has happened to Evan's best friend Ariel - we the readers aren't let in on what exactly has happened to her or where she might be now - and every day seems to be a struggle for Evan to put her behind him. Now that she's gone, he's left with a lot of acquaintances. The only real friend he has is Ariel's boyfriend, Jack, and the two are left clinging to their memories of the one girl they both loved. Out of the blue, Evan starts receiving photos of himself and Ariel and these other kids he has never seen. Is Ariel leaving them for him? Jack tells him it's impossible (Ariel is dead gone and not coming back), but the mystery of the photos drives the story forward.

The book contains full color prints of these photographs, but the most compelling part of the novel is the typesetting. The book reads like a long letter that Evan is writing to Ariel, with words or whole sentences struck out (but still legible) like he can't wrap his mind around the correct words to write. (You can get an idea of what I'm talking about in the preview here.) It reminded me of one of my favorite novels, House of Leaves by Mark Z. Danielewski (or really anything by Danielewski), which plays with formatting as much as it plays with story. When this technique is done right (as it is here and in House of Leaves), the story is much stronger for it, and it provides the reader with a mechanism to compel the story forward. I'm not saying I want to see every author try this, because it takes a deft hand to do it right, but when I find someone who does it justice, I'm happy no matter where the story goes.

That being said, I did have some issues with this book. **HERE BE SPOILERS** For the entire length of the book, we're left wondering if Ariel is dead or alive. Did she commit suicide or just attempt it? Is she in a coma or in a locked hospital ward or did she just run away? Evan and Jack had a part in whatever happened - the book kind of becomes an I Know What You Did Last Summer thing - but it's hard to reconcile what their part might have been if we don't know what happened. And you know what? That was all fine to me. The mystery drove the story forward. And then. The big deus ex machina comes in the form of a girl who informs them that she was really Ariel's best friend all along, and that she blames them for her now being institutionalized. Really? Secret best friends? Especially a secret best friend who is angry that her friend is still alive because the girl's public best friends saved her? Sorry, not buying it. And I'm not quite so sure why Evan feels so guilty about saving Ariel's life or why he thinks her parents hate him so much. I mean, I know how teens can get all in-their-heads about stuff, but I had a hard time reconciling Evan's feelings with the conclusion. **THERE BE SPOILERS**

Comments about the ending aside, I really loved this book. From the title (taken from a Placebo song) to the  formatting to the photos to the mystery to the general teen angst, I was completely there and in it. This book is definitely worth a look, if for nothing else than to experience the journey of it.

Buy this on Amazon
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3/5 stars (the ending knocked it down a bit for me)

YA Book Club: Going Bovine

Welcome to the inaugural Consider the Daffodil YA Book Club, featuring the funny and thought-provoking Going Bovine by Libba Bray. I know that some of the people who are reading this are a bit behind, but I wanted to post this anyway for those of you I don't know in real life who may have already finished the book.

Anyway...

Going Bovine is definitely not everyone's cup of tea. It's a weird fantasy adventure, a mash-up of Percy Jackson and Fear and Loathing in Las Vegas, that talks about physics, obscure diseases, Don Quixote, drag queens, jazz music, religious cults, reality TV, and Norse mythology. It's got a male protagonist who is such an apathetic loser, he can be hard to relate to. And most importantly, it looks death right in the face. This book shouldn't work.

And yet it does (at least for some people, and I count myself among them). Going Bovine allows teens (and everyone else, of course) to get right up into the heart of impending doom (be it our main character Cameron's life or the End of the Universe as we know it) from the safety of a bunch of words on pages.

To be frank, while I was reading the book, I loved little bits but felt overall that it dragged. There were just a few too many set pieces (CESSNAB, PUTOpia, the YA beach house among them). They all felt a little bit like the Las Vegas hotel of the Lotus Eaters in the first Percy Jackson book - yes, I see what you're doing there, but let's move things alone now, please, there's story I want to get to. That having been said, the key elements of the story - much of the discussion below - has really stuck with me, and I think Bray does a good job at confronting mortality within the context of humor and adventure. (She also manages to give an interview in a cow suit quite well.)

I'm not going to summarize the book, although you should feel free to summarize any bits you see fit. I'll post the questions first, then chime in later with my own comments. I really want to hear what you have to say! Feel free to add any of your own questions as well. Spoilers from here on out.

1)For such a funny book, Going Bovine hits on some really big questions (Questions, even). Do you think this balance worked?

2) Why is Cameron's childhood trip to Disney World and his subsequent near-drowning the happiest day of his life?

3)What's up with the snow globes and the United Snow Globe Wholesalers?

4)Did Cameron actually go on this wild adventure? Or was he in his hospital bed the whole time?

5)The "one true thing" Cam learned on his travels, as he tells Dr. X, is that "to live is to love, to love is to live." What do you make of that? How did he come to realize the truth in this Great Tremelo song that he had previously listened to only ironically?

6)The obligatory casting question: Who would you cast in Going Bovine: The Movie? (Cameron and Dulcie probably being the easiest to cast).

Review: Texas Gothic

I have to admit, I didn't have high hopes for Texas Gothic by Rosemary Clement-Moore. The description on the back included witches, cowboys, and ghosts. I started flipping through it, though, and immediately recognized it for what it was. It was like home, something comforting from my childhood.

YA wasn't a big thing when I was a teen, and probably most of the YA I read was cheesy teen horror stories by Diane Hoh, Richie Tankersley Cusick, and Christopher Pike (Pike being the high end of the bunch). If you're my age, you know exactly the books I'm talking about, especially the embossed covers with more than their share of neon colors. (Cusick's Vampire was a particular favorite of mine.) These books were easy to read and almost felt like an episode of Scooby Doo (more bad guys being unmasked at the end, less talking dogs and stoners... well, sometimes there were stoners). There was always danger, but never too much to worry about, and the main girl (it was always a girl) used a little Nancy Drew sleuthing to figure out what was going on.

And that's exactly what I found in Texas Gothic. In fact, Nancy Drew is referenced a number of times, so Clement-Moore is obviously a fan of the genre herself. And for this particular sub-genre, the book is well-written, fast-paced, and highly enjoyable. I've seen enough of Texas to understand the environment perfectly, and the Hot Cowboy Neighbor (that might as well be his name) was the right mix of annoying and attractive. I loved the addition of real magic - the main character's family are all real witches, as much as she tries to stay out of that life - gave the story a little more body than others like it.

Is this fine literature? No. But that wasn't exactly what I was looking for on a quiet beach weekend. The high entertainment value of Texas Gothic makes it fun for any horror- or mystery-loving teen (or nostalgic adult). Bonus points for this being a self-contained story as well.

4/5 stars