Review: Steampunk!

I'm a big fan of steampunk. I'm not sure when I came across it, or how, but I love the visual aesthetic of it. However I found it, I'm sure I found images well before I found stories. And from the visuals, it's a bit hard to understand the full breadth of the genre.

Steampunk stories cover a wide array of topics and themes. Some are more historical, and some take place in a future that seems strange. Some are born out of Victorian London, and others call the wild west home (while still others take place on space ships or foreign worlds). There is so much that can be considered steampunk that an anthology of steampunk stories can sometimes feel disjointed. *Cough* Steampunk *Cough*

Steampunk!, edited by Kelly Link and Gavin Grant, unfortunately suffers from this, but at least it gets off to one hell of a start. The first half or so of the book is filled with very strong stories that each take a stab at their own version of steampunk. Cory Doctorow's "Clockwork Fagin," about a bunch of kids in an orphanage, was by far my favorite of the group. I also really loved Cassandra Clare's "Some Fortunate Future Day," Delia Sherman's "The Ghost of Cwmlech Manor," and Libba Bray's "The Last Ride of the Glory Girls" (which I'm pretty sure was influenced by my beloved Firefly).

Some of the stories seemed not-so-steampunk, but I still enjoyed them. Kelly Link's "The Summer People" was my favorite of this bunch, owing very little to the steampunk genre apart from some mechanical toys that "the summer people" create.

This anthology has been published as a YA book (because it's from children's publisher Candlewick), but it's pretty perfect for anyone who likes steampunk. The only thing that would mark it YA is that many of the main characters are teens, but that shouldn't hamper an adult from reading along.

3/5 stars

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Review: Galileo's Daughter

Galileo's Daugher by Dava Sobel is, truth be told, not a book I would have picked up on my own. I recently joined a book club (well, a more traditional book club), and Galileo's Daughter was this month's pick. I took the book along on a long car ride with me, hoping I would be able to fly through it, but I found that I kept getting stalled. The night before the book club meeting, I forced myself through the second half of the book, often skimming sections.

And when I showed up to book club, I found out that I was one of the few who had made it through the whole thing. I guess we'll be staying away from historical non-fiction for a while...

Galileo's Daughter is a very different book than it sounds like it should be. The book is based around the letters sent to Galileo by one of his daughters, Maria Celeste, a nun at a Florentine convent. It is pointed out that Maria Celeste chose her name based on her father's work, and that Galileo often noted that she was one of the few people intelligent enough to help with his work. Sobel also bases the book around the very touching fact that a female body, presumably Maria Celeste, is interred anonymously alongside Galileo. What an interesting premise!

It is in the telling, however, that things fall short. The story follows the life of Galileo, and Maria Celeste is hardly mentioned for the first 100 pages or so. There are large sections of the book where she doesn't appear, and often when her letters are quoted, they seem to contradict the idea of the strong and smart woman that Sobel is trying to present.

I think I would have enjoyed this book more if it wasn't named Galileo's Daughter. I realize that her letters are the hook and are what makes this book stand apart from other biographies of the scientist, but I found Maria Celeste to be such a minor character for a book that is named for her!

Sobel does an excellent job describing the times that Galileo lived in, and it is clear that she did a huge amount of research. We had a lively discussion around the machinations of the Vatican and the plague (some members even said they wanted more on the plague!). I can't say that's where we expected our discussion going, but it worked.

Have you read Galileo's Daughter? How did you feel about Maria Celeste's role in the book?

2/5 stars

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Review: Every You, Every Me

My coworker handed me a copy of Every You, Every Me by David Levithan last week, and just flipping through it pulled me in. I put aside the book I was reading and jumped right in. The book is unusual and captivating from the very first page.

Something has happened to Evan's best friend Ariel - we the readers aren't let in on what exactly has happened to her or where she might be now - and every day seems to be a struggle for Evan to put her behind him. Now that she's gone, he's left with a lot of acquaintances. The only real friend he has is Ariel's boyfriend, Jack, and the two are left clinging to their memories of the one girl they both loved. Out of the blue, Evan starts receiving photos of himself and Ariel and these other kids he has never seen. Is Ariel leaving them for him? Jack tells him it's impossible (Ariel is dead gone and not coming back), but the mystery of the photos drives the story forward.

The book contains full color prints of these photographs, but the most compelling part of the novel is the typesetting. The book reads like a long letter that Evan is writing to Ariel, with words or whole sentences struck out (but still legible) like he can't wrap his mind around the correct words to write. (You can get an idea of what I'm talking about in the preview here.) It reminded me of one of my favorite novels, House of Leaves by Mark Z. Danielewski (or really anything by Danielewski), which plays with formatting as much as it plays with story. When this technique is done right (as it is here and in House of Leaves), the story is much stronger for it, and it provides the reader with a mechanism to compel the story forward. I'm not saying I want to see every author try this, because it takes a deft hand to do it right, but when I find someone who does it justice, I'm happy no matter where the story goes.

That being said, I did have some issues with this book. **HERE BE SPOILERS** For the entire length of the book, we're left wondering if Ariel is dead or alive. Did she commit suicide or just attempt it? Is she in a coma or in a locked hospital ward or did she just run away? Evan and Jack had a part in whatever happened - the book kind of becomes an I Know What You Did Last Summer thing - but it's hard to reconcile what their part might have been if we don't know what happened. And you know what? That was all fine to me. The mystery drove the story forward. And then. The big deus ex machina comes in the form of a girl who informs them that she was really Ariel's best friend all along, and that she blames them for her now being institutionalized. Really? Secret best friends? Especially a secret best friend who is angry that her friend is still alive because the girl's public best friends saved her? Sorry, not buying it. And I'm not quite so sure why Evan feels so guilty about saving Ariel's life or why he thinks her parents hate him so much. I mean, I know how teens can get all in-their-heads about stuff, but I had a hard time reconciling Evan's feelings with the conclusion. **THERE BE SPOILERS**

Comments about the ending aside, I really loved this book. From the title (taken from a Placebo song) to the  formatting to the photos to the mystery to the general teen angst, I was completely there and in it. This book is definitely worth a look, if for nothing else than to experience the journey of it.

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3/5 stars (the ending knocked it down a bit for me)

Review: The Night Circus

It's rare that a book's atmosphere overshadows its plot, but in Erin Morgenstern's debut novel, The Night Circus, I found myself caring less about what was happening and more about where it was happening. Specifically, the night circus of the title, Le Cirque des Rêves.

Le Cirque des Rêves rolls into town unannounced, sets up without fanfare, and opens its gates at dusk. It is exquisitely detailed, every inch of it black or white, and is filled with tents that boggle the mind or tear at our sense of possibility. Explore all you want - there's always more to see.

The plot itself is interesting, too, although it is overshadowed by what feels like the main character, the circus. The story begins with two master magicians and a bet. Each magician chooses a student - Celia and Marco, in this instance, although the bet has been played out by these two magicians before - and teaches them all they need to know in order to win the game they're playing. The game, though, is never explained to the students, and they are left filling in the details for themselves as they go.

Add to that a plot about a boy, Bailey, who first encounters the circus as a child, then comes across it again as a man deciding whether to take on the family business or strike out on his own. At first, the story jumps back and forth between these two plot lines, but of course, they begin to converge.

Like I said, though, the atmosphere of the book mattered so much more to me than the actual plot. Sure, I was interested in the story behind the circus and how the game between Celia and Marco was to be played out, but when I finally got to the ending, I didn't care much anymore. I was just upset to see my journey with the circus end.

Truth be told, I was not entirely happy with the climax of the book as I was reading it. It felt a bit rushed and out of place. When I read it, I thought it might have ruined an otherwise beautiful book. It's been a little while since I finished the book, though, and I'm coming to terms with the ending. In hindsight, it seems right and just - and the only way to keep the circus alive, which is just how I want it.

Besides my out-right love for the atmosphere of the book, I also have to commend Morgenstern on her use of tenses and perspectives. The main narrative is told in the present tense - something that many writers try and fail terribly at. Instead, its use makes the story feel urgent, a big feat for a story that spans over 30 years. Interspersed throughout the narrative are short chapters written in the second person (still present tense), offering glimpses of the circus as a visitor would see it (Example: "You cannot bear to watch. You cannot look away."). I loved how each of these, usually only a page long, pulled me deeper into the world of the circus. Perhaps this is why I felt the atmosphere was the strongest character.

There's been a lot of hype around this book, most of it just, but the comparisons as "the next Harry Potter" or to Twilight are all wrong. In fact, I got in an argument with a coworker over whether to shelve this in our bookstore's Young Adult section or not (the correct answer is no, but I let the coworker keep a couple in her display anyway). Also, apparently the Wall Street Journal thinks three stories written over 20-something years makes a trend? Just forget anything you've read about The Night Circus (other than that it is GOOD) and form your own opinions on it.

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5/5 stars

Welcome to The Reading Mouse

Welcome to The Reading Mouse!

I started blogging about books in 2008 at Consider the Daffodil, but between work and school and life in general, the blog fell by the wayside. I restarted the blog again this year after I started working at a Boston-area independent bookstore. I quickly became aware that I was the only bookseller who read Young Adult books, and I've become the go-to bookseller for YA recommendations. I'm also a librarian by training, and I really love finding the right book for the right kid.

So when I restarted Consider the Daffodil, I didn't feel at home. The title, taken from an old Deep Thought (Consider the daffodil. And while you're doing that, I'll be over here, going through your stuff.), was amusing to me when I started the blog, but it didn't say anything to me or about me anymore. After much brainstorming, The Reading Mouse was born for two reasons.

First, my father's pet name for me is the Armenian word for mouse. He still calls me by it sometimes, even though I am far from a little mouse anymore. And my parents have always encouraged me to read.

Second, I bought this cute lamp a few years ago with a tiny mouse reading a book. At the time, I just thought it was cute, but it quickly became a key piece of decoration in the little reading nook in my bedroom. I couldn't imagine not having him in my home now.

Anyway, this is my new home for writing about books. I've added the reviews I've already written this year just to keep them in one place. I also write about food at Cave Cibum and crafts at Making Islands. Please feel free to play along - I'd love to hear what you think about the books I review here.

Review: The Magician King

I could not have been more excited to hear that Lev Grossman was following up his amazing book The Magicians only two years later with The Magician King. I remember devouring The Magicians, which at the time I likened to an adult version of Harry Potter, at breakneck speeds. So getting my hands on a copy (well, virtually, and that's a whole 'nother story) of The Magician King was a priority.

First, I should say that I regret not re-reading The Magicians. Grossman jumps right into the story with no real refresher to speak of. I felt myself struggling to remember exactly what had happened to characters in the first book when the events were alluded to here.

Overall, I loved the Magician King and the way it continued this imaginative story arc. Is much of this book (hell, the series) cribbed from classic children's literature? Absolutely. This book reeks of the Chronicles of Narnia, mostly The Voyage of the Dawn Treader, just like the first book was obviously influenced by Harry Potter. And while I found this a bit grating at times (I get it! Two kings and two queens, just like Narnia! Wise talking animals! A ship sailing into uncharted waters!), for the most part, this book works precisely because we all know the stories they're alluding to. However, I ended up enjoying the parts that felt familiar but weren't the most. (Here I mean the fable of the quest for the seven keys of Fillory, which the main plot revolves around.)

The story follows two paths: Quentin, king of Fillory, ventures out on a quest (ostensibly to collect taxes from a far-off province) and learns what it means to be a hero, and a flashback to Julia, a magic school reject, becoming a hedge witch and then so, so much more. At first, I found the two narratives jarring - why should I care about Julia's past when Quentin is obviously the one we care about? But as Quentin's quest progresses, the parallels with Julia's quest to become skilled in magic become obvious. The idea of humility versus hubris in a hero comes up repeatedly, but not in a way that is obtrusive or annoying.

Obviously, it's a bit silly to review a sequel here without having reviewed the original book. Like I said, it's been a while since I read it, but I can't recommend it enough (even having forgotten most of everything). Trust me, read The Magicians - you won't want to wait to dive right into The Magician King.

4/5 stars

Review: Geek Wisdom

When I first heard about Geek Wisdom, edited by Stephen Segal, I was more than a little skeptic. As a self-proclaimed Nerd and Geek (by my definitions, nerd = passionate about academic subjects and geek = passionate about pop cultural subjects), I've seen how geekery has become widely accepted over the past few years. Often, that means it is co-opted by brands and companies that have no idea what being geeky actually means. So I figured this quirky little sampler of quotes wouldn't necessarily mean all that much to real geeks.

Man, was I wrong. There is so much truth in this book. Each page features a quote or two from famous geek texts (ranging from Shakespeare to internet memes, with plenty of television, movies, and novels in among the mix) along with a brief discussion of why this is important to the hordes of geeks out there or what it has to say about how we geeks see our world.

That's not to say that every single brief essay in this book works. With some quotes, the author's barely touch upon the quote itself and deal with another matter entirely. The best of the essays, though, (and I'll say the majority of the essays are among the best) really touch the heart of the quote in question, distilling the ideas that geeks feel in their hearts, even if the mind can't explain it so succinctly.

For example, the first quote in the book is "With great power comes great responsibility," written by the great Stan Lee. This has become one of the tenants of geekdom (closely followed, I would think, by Wil Wheaton's "Don't be a dick"). And really, it's something we all understand without too much thought. But the authors of the book point out how this affected not just Spiderman, but also George Washington, King David, Albert Einstein, and Franklin Roosevelt (and that Paris Hilton has somehow not come to understand it at all).

Even if you don't care about the discussion, this is a great collection of geeky quotes. I kept saying to myself that a particular quote was my favorite quote, but then I'd turn the page and find one I liked even more. I just have so much love for this book! It really is the perfect gift for any geeks in your life (in fact, I'm thinking I should just buy a box to have on hand as ready-made gifts).

5/5 stars